A frothy paranormal comedy-adventure that offers a respite from the usual brooding over messy werewolf/vampire love affairs.
A 1970s wife—secretly in a government project to fight supernatural invaders—must find a solution when a magical creature from a dangerous fantasy realm switches places with her husband.
Pseudonymous author Reede (Daisy Dukes ’n’ Cowboy Boots, 2017) conjures a semicomical urban fantasy focusing on the antics of Mindy Nichols, a young New Orleans wife and mom. Mindy is really an agent for the Inner Space Monitoring Alliance Team, a covert U.S. government task force that battles magical intruders from other realms. Readers are told that letting such entities go uncontrolled led to the two world wars. It’s 1975 (ignore the Hugh Jackman reference and other occasional dialogue anachronisms), and ISMAT’s new headache is the “Blink” phenomenon, wherein hostile fairy-tale beings—imps, cyclops, etc.—are teleporting into the U.S. apparently at random from a magical world called Ortharos. For each appearance, an earthling has to teleport to Ortharos in exchange, and outcomes are not good. During Mardi Gras masquerade time, Mindy discovers that her husband, Jim, is missing, having Blinked away. But replacing him is a house-elf–style “brownie”—the first Ortharian to be communicative and friendly. Mindy, to figure out what’s happening and save her family, disobeys standing orders to terminate such beings. Multiple story strands in short, addictive chapters, each in first-person narration by a different quirky character, follow Jim to Ortharos, where he meets a green-skinned witch and her enticing, imprisoned Rapunzel look-alike sister (named Rapunzel, in fact) and the cyclops queen. Meanwhile, Mindy contends with myriad crises and phantasmic fallouts back home. The best conceit is that mythic characters defy expectations of who’s good or evil (though an off-the-rack, Sauron-like baddie lurks behind it all). But with two sets of protagonists teleporting or dodging peril via hidden passageways, there are considerable storyline snarls involving who is doing what, where, and in which world before things intersect at the Bacchus Krewe parade in the French Quarter. (New Orleans addicts, nonetheless, will find somewhat less local color than they’ve grown to expect.) Paranormal romance followers who take the bouncy ride should delight in the playful tweaking of all the ingredients, including the Carnival king cake.
A frothy paranormal comedy-adventure that offers a respite from the usual brooding over messy werewolf/vampire love affairs.Pub Date: Feb. 25, 2017
ISBN: 978-1-62694-807-5
Page Count: 270
Publisher: Black Opal Books
Review Posted Online: April 12, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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