by Zev Chafets ‧ RELEASE DATE: July 1, 2009
Amusing, sardonic and convincing.
Major League Baseball’s most sacred shrine undergoes what its guardians have often sought to avoid—a critical analysis.
Best known for his Middle East journalism—he is the founding managing editor of Jerusalem Report and author of works on Jewish issues and culture (A Match Made in Heaven, 2007, etc.)—Chafets brings both a fan’s affection and a social critic’s eye to his examination of the Cooperstown, N.Y., institution. He begins with a visit to the Hall’s 2007 induction ceremony, where he wanders around with thousands of others in attendance, raising issues he examines more thoroughly later—fame, race, ethnicity, the steroid scandal and the torrents of money involved in the game and its memorabilia. Chafets sketches the history of the Hall, founded in 1939 by Stephen Clark, son of Cooperstown scion Edward Clark, Isaac Singer’s partner in the sewing-machine industry. The author considers baseball’s preposterous creation myth involving Abner Doubleday and looks at some of the early notables involved in the Hall. He charts the rise of baseball statisticians—most notably Bill James, who was initially viewed as a crank—and discusses the so-called “character clause” (No. 5) in the Hall’s rules for election. Here, Chafets sees monumental malfeasance and quite a bit of racism and cronyism. Because baseball writers—almost all of them white—are the voters, players who curry favor with them have an easier path. As Chafets notes, the Hall comprises myriad drunks, adulterers, racists, gamblers, cheaters and liars—but occasionally the writers invoke Rule 5 to prevent the inclusion of someone with a personality too crusty, a history too tainted or a skin too dark. Chafets examines the cases of Joe Jackson, Pete Rose, Dick Allen, Jim Rice, Barry Bonds, Roger Clemens and others, concluding, in general, that Rule 5 should be eliminated.
Amusing, sardonic and convincing.Pub Date: July 1, 2009
ISBN: 978-1-59691-545-9
Page Count: 240
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
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by John Gierach illustrated by Glenn Wolff ‧ RELEASE DATE: June 2, 2020
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.
The latest collection of interrelated essays by the veteran fishing writer.
As in his previous books—from The View From Rat Lake through All Fishermen Are Liars—Gierach hones in on the ups and downs of fishing, and those looking for how-to tips will find plenty here on rods, flies, guides, streams, and pretty much everything else that informs the fishing life. It is the everything else that has earned Gierach the following of fellow writers and legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life. In one representatively poetic passage, he writes, “it was a chilly fall afternoon with the leaves changing, the current whispering, and a pale moon in a daytime sky. The river seemed inscrutable, but alive with possibility.” Gierach writes about both patience and process, and he describes the long spells between catches as the fisherman’s equivalent of writer’s block. Even when catching fish is the point, it almost seems beside the point (anglers will understand that sentiment): At the end of one essay, he writes, “I was cold, bored, hungry, and fishless, but there was still nowhere else I’d have rather been—something anyone who fishes will understand.” Most readers will be profoundly moved by the meditation on mortality within the blandly titled “Up in Michigan,” a character study of a man dying of cancer. Though the author had known and been fishing with him for three decades, his reticence kept anyone from knowing him too well. Still, writes Gierach, “I came to think of [his] glancing pronouncements as Michigan haiku: brief, no more than obliquely revealing, and oddly beautiful.” Ultimately, the man was focused on settling accounts, getting in one last fishing trip, and then planning to “sit in the sun and think things over until it’s time for hospice.”
In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.Pub Date: June 2, 2020
ISBN: 978-1-5011-6858-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Dave Lowry ‧ RELEASE DATE: Sept. 7, 2005
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich...
A reflective and entertaining journey through Japan, as the author seeks to reconnect with his martial arts sensei.
Lowry is a student of koryu (not to be confused with kendo), a style of Japanese classical swordsmanship. Koryu is a medieval art, like Noh and the tea ceremony, a style of combat born on the battlefield–but more importantly, it’s a way to address the world (though an esoteric one: Lowry may well be the only American practicing the art in the United States). Indeed, present-day practitioners refrain from exercising its fatal possibilities. Lowry’s sensei left the U.S. to return to Japan, urging Lowry to follow. Though his life headed in a different direction, he never forgot his training–when the time was ripe, he journeyed to Japan to join his sensei. The narrative revolves around this pivotal decision, and it provides a warm center from which the author expounds on such topics as the glories of a Japanese bath; the evolution of the Samurai caste; the peculiarities of Japanese landscape architecture; the elements of proper sandal-tying; the custom of the premarital shenanigans called yobai; and the teachings of mikkyo Buddhism. He also includes the vital story of the sword–what it reveals about Japanese life and technology, social structure and aesthetic values, etiquette, apprenticeship and the process of education. Lowry’s seriousness lends an earnest cast to the proceedings, but he’s not without a sense of humor–commenting upon his accomplished slurping of noodles, a friend’s wife notes, “He really sucks!”
A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich tradition.Pub Date: Sept. 7, 2005
ISBN: 1-890536-10-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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