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HANG TIME

In a notably cynical, well-plotted thriller from Chafets (The Bookmakers, 1995, etc.), the kidnapping of three American basketball luminaries on a goodwill tour of Israel triggers a series of world-shaking events. Snatched in Tel Aviv by an aide of Islamic fundamentalist Abu Walid, legendary coach Digger Dawkins and NBA players Tyrone Holliman and Greg Banion—at first mistaken for a Zionist hierarch and his two bodyguards—are whisked away in a limo to the outskirts of Jerusalem. Before their arrival, Banion is knifed to death, leaving only Holliman (a black star of the Detroit Pistons) and Dawkins (an irascible white) as captives of Walid, a US-educated physician who harbors great grudges against both the infidel West and rival Muslim sects. Though not what the doctor ordered, the prominent hostages suit his purposes—including the release of terrorists held in Israeli prisons. When Walid's initial demands are rebuffed, he begins surgically dismembering Dawkins. Videotapes of these atrocities provoke America's president first into bombing Shi'a enclaves in Lebanon and then Iran itself, thereby destroying sworn enemies of Walid, a militant Sunni. While the White House prepares for a demonstrably popular war against Islamic extremists, and the Israeli Prime Minister defers to the US, Holliman's brother Rasheed (a retired Motown cop who has built a prospering industrial security business) deduces correctly that none of the major players in this deadly game has an agenda that makes a priority of bringing the abductees back alive. With an old pal in Israel's police force, Rasheed mounts a private rescue mission that puts him at odds with both Shin Bet and American intelligence operatives. Following a rough-and-ready education in the Middle East's murderous folkways, he manages to liberate Tyrone in a bizarre confrontation with Walid and his loyal-to-a-fault underlings—-a finale that produces an opera-level body count. A lively, suspenseful tale that reckons the true price of tribal animosities, religious fanaticism, and Realpolitik.

Pub Date: April 11, 1996

ISBN: 0-446-52047-0

Page Count: 320

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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