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DAUGHTERS OF THE FLOWER FRAGRANT GARDEN

TWO SISTERS SEPARATED BY CHINA'S CIVIL WAR

Beautifully woven family memories coalesce into a vivid history of two very different Chinas.

A saga of the author’s two Chinese aunts that mirrors the convulsive history of 20th-century China.

A professor of East Asian studies at Brown University, Li chronicles the lives of her aunts Jun and Hong who grew up in “a home named the Flower Fragrant Garden, a spacious, verdant family compound, one of Fuzhou’s biggest and richest homes.” They were inseparable as girls in the 1930s, yet by the time of Mao’s cataclysmic Cultural Revolution, they were forced to different sides of the political divide. In the early years, their family was prosperous: Li’s grandfather was a former officer in the Nationalist Army; served as the province’s salt commissioner, “a powerful, ancient position”; and had two wives, Upstairs Grandma, the biological mother of Jun and Hong; and Downstairs Grandma, mother of the author’s mother. While Jun wanted to study to be a teacher, Hong was focused on becoming a doctor. However, following the Japanese invasion and ensuing civil war, their educations were continually disrupted and the family’s tranquility shattered, ushering in an era of dislocation, violence, and famine. When the Nationalists were defeated and relocated to Taiwan, the bamboo curtain effectively sealed Jun, then working in Taiwan, off from the mainland. In the subsequent violence of the Cultural Revolution, Hong was forced into rural reeducation camps and hounded into renouncing all mention of her counterrevolutionary sister, who ran a successful import-export business in Taiwan. Hong was eventually rehabilitated as a successful women’s doctor, and Li offers a moving portrait of the sisters’ reunion after decades of separation. Throughout, the author capably narrates a poignant story of sisterly love and the search for self-knowledge in the face of considerable challenges: “These two remarkable and pioneering women…had fought and won against adversities that might have crushed less powerful, determined figures.”

Beautifully woven family memories coalesce into a vivid history of two very different Chinas.

Pub Date: June 21, 2022

ISBN: 978-0-393-54177-9

Page Count: 368

Publisher: Norton

Review Posted Online: March 9, 2022

Kirkus Reviews Issue: April 1, 2022

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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