Inspiring, feminist, and informative in equal parts. (Picture book/biography. 5-10)

ADA LOVELACE AND THE NUMBER-CRUNCHING MACHINE

“Ada loved numbers and solving problems.”

In this brief but informative early biography, originally published in German in Switzerland, young listeners and readers are introduced to the amazing Ada Byron Lovelace, the world’s first computer programmer. “Now, Ada might look like an ordinary little girl,” the tale begins, “but the truth is Ada changed the world.” Paired with colorful, geometrically stylized illustrations, the clear, straightforward text succinctly describes Ada’s unusual childhood as the daughter of Lord Byron. Ada had a privileged upbringing, in part because her mother rejected the commonly accepted idea that girls were fit primarily for wifely duties and arranged for experts to serve as Ada’s tutors. This group included Charles Babbage, an inventor and mathematician who created a machine to count numbers. Excited by the idea, Ada immediately set to work, essentially creating code to provide instructions for this fledgling computer to solve other sorts of problems. An impressively balanced mix of engaging description and important facts with a quick explanation of the gender politics of the time and information about Ada’s legacy, this appealing volume is a great way to introduce coding and computers as well as the lack of notice women’s accomplishments are too often shown.

Inspiring, feminist, and informative in equal parts. (Picture book/biography. 5-10)

Pub Date: Sept. 3, 2019

ISBN: 978-0-7358-4317-2

Page Count: 32

Publisher: NorthSouth

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

Did you like this book?

No Comments Yet

Self-serving to be sure but also chock-full of worthy values and sentiments.

SUPERHEROES ARE EVERYWHERE

The junior senator from California introduces family and friends as everyday superheroes.

The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.

Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-984837-49-3

Page Count: 40

Publisher: Philomel

Review Posted Online: Jan. 8, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

No Comments Yet

A galloping marvel—enlightening and entertaining.

DR. SEUSS'S HORSE MUSEUM

A succinct introduction to art history via a Seussian museum of equine art.

This posthumously published text recently discovered in Ted Geisel’s studio uses horse-focused art pieces to provide historical context to artistic movements. Showing art ranging from the Lascaux cave paintings to an untitled 1994 sculpture by Deborah Butterfield, Joyner’s playful illustrations surround the curated photographs of art pieces. By using horses as the departing point in the artistic journey, Seuss and Joyner are able to introduce diverse perspectives, artifacts, and media, including Harnessed Horse from the northern Wei dynasty, a Navajo pictorial blanket titled Oh, My Beautiful Horses, and photographs by Eadweard Muybridge. Questions to readers prompt thought about the artistic concepts introduced, aided by a cast of diverse museumgoers who demonstrate the art terms in action. Joyner further engages readers by illustrating both general cultural and Seussian references. Glimpses of the Cat in the Hat are seen throughout the book; he poses as a silent observer, genially guarding Seuss’ legacy. For art enthusiasts, some illustrations become an inside joke, as references to artists such as Alexander Calder, Salvador Dalí, Marina Abramovic, and René Magritte make appearances. Thorough backmatter contains notes on each art piece referenced along with a study of the manuscript’s history and Seuss’ artistic style. Absent, probably unsurprisingly, is any acknowledgment of the Cat’s antecedents in minstrelsy and Seuss’ other racist work, but prominent among the museumgoers are black- and Asian-presenting characters as well as a girl wearing hijab and a child who uses a wheelchair.

A galloping marvel—enlightening and entertaining. (Informational picture book. 6-10)

Pub Date: Sept. 3, 2019

ISBN: 978-0-399-55912-9

Page Count: 80

Publisher: Random House

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

Did you like this book?

No Comments Yet
more