CLEMENTINE AND THE LION

Young Clementine has a ball living alone…but then discovers that sharing a home isn’t so bad either.

In a story that may have more meaning for fledgling adults than younger readers, Clementine, portrayed as a light-skinned child—at least in earlier scenes—with a luxuriant spray of orange hair, takes advantage of the sudden disappearance of equally pale parents she considers “ogres” (they’re not) to invent a paint that makes the whole house invisible and, from then on, to do as she pleases. That halcyon time comes to an abrupt end when she leaves the door open after a grocery run and a male lion strolls in to drink milk out of the carton, leave the bathroom a mess, and generally behave like a stereotypical bachelor. Until, that is, Clementine comes out of hiding and the two quickly discover that they’re compatible…so much so that they take up residence together and even strip off the house’s invisibility paint in case the ’rents ever reappear. Plenty of children will find the notion of having a whole house to themselves an appealing one, but both the plotline and stylish detailing in the finely drawn pencil and gouache illustrations suggest that Abbott may have a broader audience in mind from the start. (This book was reviewed digitally.)

A tongue-in-cheek foray for independent sorts—not necessarily younger ones.