Jennifer Niven photographed by Louis Kapeleris.
In an arresting author’s note at the end of her teen novel All the Bright Places, Jennifer Niven discloses her status as a survivor of loved one’s suicide.
“Several years ago, a boy I knew and loved killed himself. I was the one who discovered him,” Niven writes. “The experience was not something I wanted to talk about, even with the people closest to me. To this day, many of my family and friends still don’t know much, if ...
Edward Carey photographed by Tom Langdon.
At the beginning of Heap House, the first book in Edward Carey’s inspired Iremonger trilogy, Aunt Rosamud’s brass door handle has gone missing. Her family, a sort of refuse-based baronage inhabiting a slipshod mansion on the undulating trash heaps of greater Victorian London, is properly scandalized, as the handle is of particular value.
“When each new Iremonger was born it was a family custom for them to be given something, a special object picked out by Grandmother. The Iremongers always ...
Candace Fleming photographed by Michael Lionstar.
Brendan Kiely photographed by Gary Joseph Cohen.
It’s a frigid fall day when, enveloped in tundra-worthy accoutrements, I sit down with Brendan Kiely at a cozy Greenwich Village café. We’re meeting to discuss his debut novel, The Gospel of Winter, which tackles the touchy subject of the Catholic Church’s abuse scandals as they pertain to a posh, Connecticut town. Gospel centers on 16-year-old Aidan Donovan, a privileged young man living at the height of wealth and social dominance. His disastrous relationship with Adderall, booze and weed are ...
J.C. Carleson photographed by Margaret Stepien.
Former undercover CIA officer-turned-author J.C. Carleson admits she’s probably a publicist’s nightmare: No Twitter or Facebook account—and she doesn’t blog. “Old habits die hard,” she explains. “I’m used to being in the shadows; this is new for me. I still have a hard time saying ‘CIA’—my tongue catches on it!”
Now that her third book The Tyrant’s Daughter is receiving stellar reviews (Kirkus’ starred review calls it “smart, relevant, required reading”), Carleson may need to get comfortable ...
E. Lockhart photographed by Heather Weston.
Once upon a time, there was a king who had three beautiful daughters.
The United States may not have a monarch, but we certainly have our own royalty. From the Kennedys to the Rockefellers, privilege in America has its own mythology, involving trips to the Hamptons, elegant black-tie benefits, lacrosse games and degrees from the Ivies.
In her new novel, We Were Liars, E. Lockhart explores the dark side of that kind of wealth. The book centers on the Sinclairs ...
We track the trends
Isabel Quintero photographed by Rheanna Marchman Smith.
2014 marks a turning point in commercial teen fiction, the gloomy, often poorly realized post-apocalyptic dystopia yielding to the slick teen thriller. Peeking ahead into 2015, it’s astonishing how many variations I see on the political and/or crime novel. Get ready.
Perhaps not surprisingly, given the formulaic natures of both beasts, there are few examples of either among the Best Teen Books of 2014. Alaya Dawn Johnson’s Love Is the Drug stands out as a sophisticated and stylish bio-thriller ...
But will the sequel be as good as the first book?
E. K. Johnston photographed by Sarah Oughton.
I actually squealed when I opened the box: Inside were two galleys of Prairie Fire, by E.K. Johnston. My glee stemmed from two sources. First, OMG, it’s a sequel to my favorite book of 2014! And second, it gives me a chance to talk about said favorite book one more time.
All year long, ever since last December, when I read The Story of Owen: Dragon Slayer of Trondheim, I have had an easy answer to a sometimes-difficult question ...