"Baldacci's muscle-bound style doesn't do subtle: He is best at choreographing fight scenes, rescues and dire brushes with severe weather, all of which, thankfully, are here in abundance. Overall, though, the stilted language and trite sentimentalism are yawn-inducing."
Baldacci (Hell's Corner, 2010, etc.) departs from thriller mode to pen this often-maudlin tale of familial reinvention.
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