"Readers willing to dig deeply may find here a protest against marginalizing the elderly; most will see it as a transformation story, more stridently earnest than David Small's Imogene's Antlers (1985), Arthur Yorinks's Louis the Fish (1980), or Anthony Browne's entire oeuvre. (Picture book. 8+)"
Thinking about his grandfather, Sam decides that he doesn't want to grow old—but he wakes up the next morning with an old man's face.
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