Search Results: "Ann Rinaldi"


BOOK REVIEW

LEIGH ANN’S CIVIL WAR by Ann Rinaldi
CHILDREN'S
Released: Sept. 1, 2009

"A mess. (author's note, bibliography) (Historical fiction. 10-14)"
Veteran Rinaldi spins a tale that combines low melodrama, cringeworthy faux-Indian mysticism, a back story only the author could possibly understand, a saccharine depiction of slavery, two pregnancies of convenience and only a passing regard for historical accuracy for a nearly 300-page slog that seems to have enjoyed zero editorial intervention. Read full book review >

BOOK REVIEW

JULIET’S MOON by Ann Rinaldi
FAMILY AND GROWING UP
Released: May 1, 2008

"One of Rinaldi's best. ('what happened next,' author's note, bibliography) (Fiction. 10 & up)"
"At your age, all you should be worried about is clothes and boys and reading Moll Flanders," Seth tells his 12-year-old sister, Juliet Bradshaw. Read full book review >

BOOK REVIEW

AMELIA'S WAR by Ann Rinaldi
Released: Nov. 1, 1999

Rinaldi (My Heart is on the Ground, p. 228, etc.) makes character count in a rousing novel that is more than a portrait of a town and a people divided during the Civil War. Read full book review >

BOOK REVIEW

Released: April 1, 1999

Beginning with slow, laboring words that lead first to ghastly realization, and then to mature understanding, Rinaldi (Cast Two Shadows, 1998, etc.) explores some of the tragic fates of Native American children during the late 1800s. Read full book review >

BOOK REVIEW

CAST TWO SHADOWS by Ann Rinaldi
FICTION
Released: Sept. 1, 1998

"Anna Myers's Keeping Room (1997), a less disingenuous story set in the same place and time, offers a more direct view of the unusual brutality that characterized the war in the Carolinas. (bibliography) (Fiction. 12-15)"
Skeletons come and go from a wealthy South Carolina family's closet when the British army arrives in this tale set during the Revolutionary War. Read full book review >

BOOK REVIEW

FICTION
Released: Oct. 1, 1996

"A tragic tale, beautifully written and researched. (Fiction. 12+)"
The short and not very happy life of America's first black poet, brought to vibrant life by Rinaldi (The Blue Door, p. 1241, etc.). Read full book review >

BOOK REVIEW

THE EVER-AFTER BIRD by Ann Rinaldi
CHILDREN'S
Released: Nov. 1, 2007

"It seems Rinaldi is creating myth here, when the real history is dramatic enough. (author's note, bibliography) (Historical fiction. 10-14)"
In 1851, 13-year-old CeCe McGill accompanies her Uncle Alex, a doctor, ornithologist and abolitionist, on a trip from Pennsylvania to Georgia in search of the rare scarlet ibis to paint for a new book and to guide slaves to the Underground Railroad. Read full book review >

BOOK REVIEW

NUMBERING ALL THE BONES by Ann Rinaldi
CHILDREN'S
Released: April 1, 2001

"The author provides a fascinating afterword in which she sets the facts and the many real-life characters in the novel in context and includes a bibliography featuring titles about Barton, Andersonville, and the Civil War. (Fiction. 10-14)"
A lovely story, rendered in spare prose by a major writer of historical fiction, Rinaldi's (Girl in Blue, 2001, etc.) tale takes place in Georgia in 1864. Read full book review >

BOOK REVIEW

FICTION
Released: Nov. 1, 1993

"Bibliography. (Nonfiction. 10+)"
Carefully researched and lovingly written, Rinaldi's latest presents a girl indentured to John and Abigail Adams during the tense period surrounding the 1770 Massacre. Read full book review >

BOOK REVIEW

FICTION
Released: April 1, 1991

"Despite the exemplary documentation, second rate. (Fiction. 12-16)"
Written to order for the ``Great Episodes'' series, a novelization of a legend with as little authenticity as Washington and the cherry tree: how a young woman near Morristown, N.J. hid her horse in her house in order to prevent his being commandeered by mutinous Revolutionary soldiers. Read full book review >

BOOK REVIEW

MY VICKSBURG by Ann Rinaldi
FAMILY AND GROWING UP
Released: May 1, 2009

"There's no excuse for this one. (Historical fiction. 10 & up)"
A two-page bibliography demonstrates that no amount of book research can compensate for cultural tone-deafness and a willful disregard for coherent plotting. Read full book review >