"But it's the air of well-being that infuses these prints that draws attention and, ultimately, the delicately incised lines, sure sense of design, and subtly added color that delight. (Picture book. 4-8)"
Christensen makes a handsome debut with wood engravings that recall the woodcuts of fellow-Vermonter Mary Azarian (A Farmer's Alphabet, 1981, o.p.).
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