"Contrived, yes, but hysterically funny—and after reflecting on the invisibility of women, the reader may find it no more contrived than, say, a Shakespearean comedy. (Film rights to New Line Cinema; $200,000 ad/promo; author tour; TV satellite tour)"
More monumental high-concept from Goldsmith (Marrying Mom, 1996, etc.), this time in a wonderfully funny fable about a wife and mistress who reverse roles—and a husband who apparently can't tell the difference.
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