"Missing: Brite's lyricism and soaring fantasy (as when R. Crumb physically enters Parker's music in Birdland), the very qualities germane to psychedelics, the Beatles, and the Peter Max years. Here, the originals overpower Brite's march of whimsy."
In earlier fiction, Brite used the music of Charlie Parker, the life and art of R. Crumb (the brilliant Drawing Blood
, 1993), the necrophilia of Jeffrey Dahmer, and the anchovy shape and wormwood flavor of H. P. Lovecraft as entrance points into her own sparkling fantasy life in print. This time, it's John Lennon and Paul McCartney.
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