"A glum, low-concept, diffusely plotted procedural that's much more disturbing scene by scene than as the rather lumpy whole it appears to be in the rearview mirror."
Dahl, content to go by his initials in the English translations of his earlier Norwegian procedurals (Lethal Investments
, as K.O. Dahl, 2012, etc.), unfurls his full name in signing his seventh.
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