"A multilayered tale that builds slowly—the use of smells is especially effective—but drives to a shattering climax that honors the traditions of both detective fiction and ghost stories."
Sigurdardóttir's work (The Day Is Dark
, 2013, etc.) has always drawn on both kinds of mysteries—detective stories in which everything is explained rationally and supernatural thrillers in which it isn't—but this tale of a series of disappearances grounded in long-simmering revenge mixes the two more inextricably than ever before.
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