An insightful, approachable exploration of a scourge of self-harm in an “idyllic American town.”
Two academics research the origins of teen suicide and its societal ramifications.
Grounding their study within the confines of pseudonymous Poplar Grove, a wealthy, predominantly white suburban American community, sociologists Mueller and Abrutyn present an erudite study on several “suicide clusters” inexplicably plaguing the region. While their initial goal was to better understand how individual community members processed suicide losses, their study eventually branched out to encompass the mechanics of youth communal environments, the dilemma of mental health stigma, and how these social forces shape adolescent suicide risk. Careful not to draw conclusions based solely on their individual perceptions, the authors’ groundwork included epistemological analysis, archival research, community observations, and psychopathology survey data. Most productive and illuminating were their intensive sociological interviews and focus groups with individuals from Poplar Grove High School, where the authors put both youth and adult participants at ease with conversational and nonjudgmental language. Mueller and Abrutyn also probe the nature of whether or not suicidal behavior is contagious, how these clusters developed and persisted into a “suicide contagion” at upscale Poplar Grove High, and the school’s response to these losses. The students’ stories are alternatingly sad and thought provoking. Mueller and Abrutyn’s conclusions settle on the patterned vulnerabilities of Poplar Grove youth, identifying as credible culprits its gossipy, tightly knit community, cultural ideals, and demanding, ingrained “high-pressure achievement culture.” Concise, accessible, and well organized, the book succeeds in offering readers from any competency level a better understanding of youth suicide and the proactive intervention strategies currently aimed at its prevention. The authors also provide an empathetic connection to those most at risk and effectively debunk a variety of myths—e.g., “talking about suicide does not cause suicide; it prevents it.”
An insightful, approachable exploration of a scourge of self-harm in an “idyllic American town.”Pub Date: May 1, 2024
ISBN: 9780190847845
Page Count: 288
Publisher: Oxford Univ.
Review Posted Online: Feb. 24, 2024
Kirkus Reviews Issue: April 1, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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