Wry, sharp, charming, resistant to neat closures and easy turns—a debut of enormous promise.
The witty, fiercely intelligent story of a young alcoholic in the fragile early days of sobriety, suspended between addiction and whatever life might come next—the shape of which he can’t yet see.
Twenty-six-year-old Dennis Monk, just months sober, gets the boot from his parents’ suburban Philadelphia home and begins what will be, over the novel’s episodic chapters, a half-year odyssey as the serial houseguest of relatives, old flames, and running buddies from high school and college. Dennis jumps from makeshift situation to awkward makeshift situation (pushed-together couches he hopes won’t get sold out from under him, cots in basements alongside washing machines) all over a rapidly gentrifying Philadelphia filled with his only-marginally-less-lost peers. Sometimes he’s a freeloader; sometimes he earns his keep, sort of, through errands not always handled successfully, projects he can fake his way through, or fitful employment. Dennis is nimble-tongued and keenly observant, and the book offers all sorts of humorous delights. Yet the reader quickly sees, too, that irony is Dennis’ protective coloration, that his wit is anxious and self-preserving. He may not be a gentrifier, but he is a kind of hipster who, like his coevals, simply wants to cobble together, from the unpromising materials available, an identity he can live in. Beneath the world weariness and sarcasm we get glimpses (for instance, in the bit-by-bit-revealed story of a friend who died from drinking) of a sweetness and vulnerability, even a fragile hopefulness, that Dennis is at pains to hide and resist. This is less a traditional novel than a linked collection of stories, a serial picaresque, but ultimately that approach feels like the right one for a book about navigating—or maybe just drifting through, in search of some useful piece of flotsam to grab hold of—a limbo of one’s own making. As a starting point for a new life, “non-drinker” is a necessary condition...but by itself that datum doesn’t get one very far. The book ends with Dennis, one year sober, on the verge of—well, who knows what, but verges beat sloughs every day.
Wry, sharp, charming, resistant to neat closures and easy turns—a debut of enormous promise.Pub Date: May 7, 2024
ISBN: 9781662602245
Page Count: 272
Publisher: Astra House
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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