An instructive and inviting look into the psychology of a young bully.
A white social worker helps troubled 13-year-old Butterball understand and change his actions in this tale of an outcast-turned-bully's redemption.
When the story opens, Butterball is speaking with Liz for the first time after attacking a boy for reasons he does not immediately reveal either to readers or to “this uptight white woman.” As the story unfolds, readers begin to see, if not why Butterball filled a sock with batteries and smashed it against his former friend's face, the social rewards he reaps for having done so. Popular students high-five him in the hallways, and his dad, whom Butterball visits in the city two weekends a month, tells him, “I was kind of proud of you...maybe you're not such a worthless fatass after all.” Thoughtful readers, however, will recognize his father's derision and neglect as well as the shallowness of the popular boys' interest in their newly proven tough guy. Themes of masculinity and homophobia are handled subtly and open-endedly here. Butterball is an appealing narrator, mustering as much toughness, humor and, eventually, vulnerability for readers as he does for his fellow students, his mother and Liz.
An instructive and inviting look into the psychology of a young bully. (Fiction. 10-13)Pub Date: Nov. 1, 2011
ISBN: 978-1-59514-434-8
Page Count: 272
Publisher: Razorbill/Penguin
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Oct. 15, 2011
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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