Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen.
A stage manager and his sister both develop a crush on the same guy.
Everyone thinks juniors and longtime queer platonic besties Jackson and Bowie should date. But Iranian and white Jackson, who’s deaf, must constantly triage his sister Jasmine’s relationship woes by making breakup lists that extol her exes’ worst qualities. When white, “classically handsome” swimmer Liam auditions for the fall musical, trouble ensues when both Jackson and Jasmine start crushing on him. Jasmine pursues Liam first, making Liam “absolutely, 100 percent off limits.” But Liam keeps tucking in Jackson’s shirt tags. He also starts learning sign language from Bowie, a nonbinary, Black, aromantic, and asexual child of deaf adults. Liam hopes this will help them communicate better, a meaningful action and something Jackson’s family hasn’t put much effort into. What’s a boy to do? This sweet, slow-burn sibling love triangle with an added sprinkling of family drama rivals Alice Oseman’s Heartstopper (2020) in its cuteness and appeal. Countless references show an insider’s knowledge of—and reverence for—high school theater. The strong first-person narration immerses readers in Jackson’s story, and the use of “somethingsomething” effectively conveys times when Jackson, who wears hearing aids and reads lips, misses dialogue. The supporting characters bring additional diversity in race and queer identity.
Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen. (Fiction. 14-18)Pub Date: April 2, 2024
ISBN: 9780593616390
Page Count: 336
Publisher: Dial Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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