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THE ESSENCE OF MAN

A confusing, advanced guide for those interested in an esoteric interpretation of Islam.

A mystical interpretation of the Quran and the nature of Islam.

The author, who practices the mystical Sufi tradition of Islam, leads the reader through his complex metaphysical interpretation of religion as described in the Quran, or as he writes, “Because I believe the book is not so much a ‘Book of God’s Commandments’ as it is a ‘Book of Secrets,’ which, if not READ properly, can leave one in severe deprivation.” This interpretation relies on a special understanding of the use of the letter B in the Quran’s text, based on the position of that letter in the original Arabic. The author encourages the reader to “read” (generally in all capital letters) the Quran in order to gain the same understanding. Grasping the author’s message requires familiarity with the Quran and related concepts—many of the terms the author uses, such as “rasul,” are untranslated or unexplained. His interpretation appears to be that God, as explained in the Quran, is less a deity than a concept that humans can incorporate, and those who treat God as a separate being are missing the point of the religion. The details of this interpretation are explained in part through metaphor, as when the author contrasts the open-platform aspect of the Linux operating system to the closed nature of Windows; in part through advances in neuroscience and other forms of research; and via the author’s own analysis of verses from the Quran, from which he concludes that “Man (not humanoid) has been created as the vicegerent of earth. The only way he can actualize this and attain the level of ‘the most dignified of all creation’ is if he becomes worthy of the principle of ‘vicegerency.’ ” Exclamation points appear frequently throughout the book’s pages, as does bold text. Many of the footnotes direct the reader to the author’s other works. Each chapter ends with a date and location, suggesting that the book is a collection of essays written between 2002 and 2005. The text has been translated into English. This guide looks to be most useful for those who already have a solid grounding in the Quran and Sufi beliefs and want to expand their understanding.

A confusing, advanced guide for those interested in an esoteric interpretation of Islam.

Pub Date: Nov. 17, 2012

ISBN: 978-0615725246

Page Count: 284

Publisher: CreateSpace

Review Posted Online: Feb. 5, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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