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WILLOW VALE

A poignant story of loss, love and family.

Awards & Accolades

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Two people broken by World War I look to start over and take refuge in each other in this unique historical romance.

Williams’ debut tells the story of Francesca Sittoni, an Austrian turned Italian by the war, who immigrates to America with her husband, Cesare. He paid a dowry to Francesca’s father for the marriage, but he is unloving toward Francesca and her young daughter from her first marriage, Elena. When Cesare dies working in a coal mine, Francesca is understandably determined to stay in America since her family is too poor to care for her and Elena should they return to northern Italy. She answers an ad for a housekeeper on Kent Reed’s ranch in Willow Valley, Wyo. Despite Francesca’s pregnancy and child in tow, Kent agrees to hire her for one year, and he gets much more than he ever expected or wanted. As they raise Elena together amid hardships, they form a strong bond; affection inevitably develops between them. Francesca and Kent’s equally stubborn attitudes keep them apart romantically, even though they are forced to live in close quarters in the small house they share. The characters come from extremely different backgrounds, but as Williams skillfully weaves their lives together, they begin to see that they have much more in common than they originally believed. Kent is resistant to officially making Francesca and Elena his family; he feels unworthy and has struggled with emasculation after he was wounded in the war and his wife left him. Francesca thinks Kent only sees her as a live-in maid and cook—a poor Tyrolean woman set in the ways of the old country. It takes the neighbors’ help for them to see the life they have already created together and how much they care for one another. Williams writes with familiarity, easily transporting the reader back to the 1920s. Despite the technological, economical and social differences between then and now, the heart of the story is timeless. Beautiful imagery accentuates the compelling narrative that depicts an era gone but not forgotten.

A poignant story of loss, love and family.

Pub Date: Jan. 3, 2012

ISBN: 978-0982557419

Page Count: 162

Publisher: Jargon Media

Review Posted Online: March 8, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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