Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.
A feisty middle-aged black woman sheds 70 pounds and rekindles the flame with her preacher husband.
Approaching her 25th college reunion, 220-pound Ada Howard decides to get out of her 3X sweats and work towards that stretchy size-10 black dress at Target. It’s not just that she wants to look good at the reunion for foxy old flame Matt Manson, who appends a handwritten message (“Honey Babe. It’s been too long.”) to the invitation. And it’s not just that her preacher husband, Lucius, might very well be cheating on her. (He’s lost weight, bought a new car and is never home.) Getting slim and healthy is a political issue for Ada. Her three older sisters died of diabetes before they turned 60, and every day at KidPlay, the day care center she runs in Nashville, she sees a parade of oversized African-American women feeding their children the same fattening junk food they eat themselves. So Ada embarks on a program of exercise and diet based on the list of 53 rules that opens this self-help manual delivered in a fictional format. For the most part, the rules are nothing you couldn’t find in an actual diet book—though probably not “Get better hair down there,” which forecasts the earthy humor with which Randall (Rebel Yell, 2009, etc.) in subsequent pages chronicles Ada’s journey toward size 10 and a revitalized marriage. When Ada visits the four congregants she suspects of being her husband’s bit on the side, instead of confessions, she hears a litany of the sexual tributes to his wife that Preach recited when invited to adultery. His highly improbable confidences are typical of the novel’s relentlessly positive tone; Randall’s emphasis on black pride and self-respect, while understandable, makes for predictable fiction. A quick aside about a betrayal by Ada’s best friend Delila strikes the only note of adult complexity in a book dedicated to simple cheerleading.
Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.Pub Date: May 1, 2012
ISBN: 978-1-60819-827-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 1, 2012
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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