McGhee is a gifted writer, but clever word play and a plethora of pointed metaphors are not enough to bring her fictional...
A wheelchair–bound teenager learns to survive the damage he’s suffered, emotional as well as physical, in this slight but highly wrought story from McGhee (Was It Beautiful?, 2003, etc.).
While his father sleeps or drinks, 16-year-old paraplegic Joseph spends his days working at a bakery/café with 17-year-old Zap, the owner’s son. Zap's Pied Piper charisma works on all the customers but Enzo, a nine-year-old girl who appears to have nothing to do all day but hang out at the bakery and bicker with Zap, to whom she directs an intense sibling love-hate. Zap, who gives nicknames to everyone, calls Joseph “Flying Joseph” and tells Enzo that Joseph is a hero. Enzo, who calls herself Mighty Thor, desperately wants Joseph to be more, a superhero with superhuman healing powers. Joseph denies any heroism in himself. He also refuses to discuss how he ended up in a wheelchair and why he has left his mother in Utica, N.Y., to live in Minneapolis with his father, a functional alcoholic who works nights as the oven man at the bakery. The story of Joseph’s accident gradually takes shape. When his father left a year earlier, Joseph had to take care of his increasingly unbalanced mother. He had no room for friends or a life of his own. In a moment of derangement, his mother broke his spine by inadvertently knocking him from the top steps of a sliding board into a cement wading pool filled only with fresh snow. In the romanticized, claustrophobic world of Joseph, Zap and Enzo, adults are generally absent and/or untrustworthy, so children must look after each other. The jarring contradiction is that Joseph’s great sorrow is the loss of his mother, who now resides in a mental hospital.
McGhee is a gifted writer, but clever word play and a plethora of pointed metaphors are not enough to bring her fictional world to life.Pub Date: March 1, 2007
ISBN: 0-312-42592-9
Page Count: 208
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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