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IN THE BEGINNING

THE STORY OF THE KING JAMES BIBLE AND HOW IT CHANGED A NATION, A LANGUAGE, AND A CULTURE

Neither as theologically profound nor as literary as the King James itself, but a useful and entertaining study.

Oxford don and theologian McGrath (Evangelicalism and the Future of Christianity, 1995) celebrates the King James Bible.

The English translation commissioned by James I and completed in 1611 is distinguished in two ways, according to McGrath. It’s important to historians and theologians because it put Scripture into the hands of ordinary people. It holds an equally key position in the literary canon as one of the most poetic, haunting works in the English language. The first three chapters summarize the history of the Reformation, the invention and dissemination of the printing press, the status of the European middle class, and the consolidation of the English language. This may be necessary background, but McGrath’s rehashes of well-known information about Gutenberg and Luther are stale and plodding. He serves up fresher material in chapter four, a discussion of the first English Bibles. Introducing readers to the Tyndale Bible, an English version that preceded the King James, McGrath notes reformer William Tyndale’s commitment to rendering the Scriptures in “proper English.” Tyndale’s clear, accessible translation would “prove to be of foundational importance to the shaping of later English translations.” We also read about the Calvinist Geneva Bible before finally getting to the King James Version. McGrath is at his most fascinating when explaining that the King’s translation team did not begin “with blank sheets of paper in front of them”; they were aware (and respectful) of the long line of English translators in which they stood. Bibliophiles will relish the discussion of printing errors in the early editions of the King James, and its defenders will be pleased to learn that none other than Noah Webster praised it for “forming and preserving” America’s English. The book also contains many lovely illustrations and the occasional helpful chart, like “A Note on Paper Sizes,” which explains the differences between a folio and a duodecimo edition.

Neither as theologically profound nor as literary as the King James itself, but a useful and entertaining study.

Pub Date: April 10, 2001

ISBN: 0-385-49890-X

Page Count: 352

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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