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ERIKA-SAN

Say’s hallmark watercolors, beautifully composed and superbly detailed, illustrate this slightly unsettling shift of homeland. As a small child, Erika—white, probably American—is enraptured by a framed Japanese print on her grandmother’s wall. She yearns to move to the cottage in the picture, studies Japanese for years and secures a job in Japan after college. But Tokyo is too populated for her taste, and, wanting somewhere quieter, she requests “old Japan.” Her longing for a timeless land imagined from a childhood picture would better suit a fable than a realistic story about a real country; here it seems to reduce Japan to Erika’s fantasy. Friend-cum-fiancé Aki inquires whether Erika’s grandfather was a soldier when in Japan, but Erika neither knows nor cares, making World War II seem less irrelevant than ignored. Erika finds her romanticized Japan, complete with kimono, tea ceremony lessons and a farmhouse that Say paints gorgeously—in the same hues and values as the old print. Expert angles and a touching sense of stillness make this piece visually masterful even while conceptually disquieting. (Picture book. 5-7)

Pub Date: Jan. 26, 2009

ISBN: 978-0-618-88933-4

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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SEE PIP POINT

From the Adventures of Otto series

In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)

Pub Date: March 1, 2003

ISBN: 0-689-85116-2

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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RABBIT AND TURTLE GO TO SCHOOL

Floyd and Denise update “The Tortoise and the Hare” for primary readers, captioning each soft-focus, semi-rural scene with a short, simple sentence or two. Rabbit proposes running to school, while his friend Turtle takes the bus: no contest at first, as the bus makes stop after deliberate stop, but because Rabbit pauses at a pushcart for a snack, a fresh-looking Turtle greets his panting, disheveled friend on the school steps. There is no explicit moral, but children will get the point—and go on to enjoy Margery Cuyler’s longer and wilder Road Signs: A Harey Race with a Tortoise (p. 957). (Easy reader. 5-7)

Pub Date: Aug. 1, 2000

ISBN: 0-15-202679-7

Page Count: 20

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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