A sober, intelligent study of the changing dynamics of a womens prison. The Connecticut Correctional Institute in Niantic, nicknamed ``The Farm'' by its inmates, has a long and honorable tradition. Its prisoners historically grew their own vegetables and cared for farm animals; the prison is located in a lovely rural spot. Rierden (Journalism/Fairfield Univ.) studied the inmates from 1992 to 1995, as the prison population began to shift from one-time offenders to serious repeat offenders, some with AIDS, many with serious drug problems. Rierden's narrative focuses on several older inmates, including Delia Robinson, a matronly woman with a violent streak triggered by alcohol. Robinson had spent long stretches in Niantic, the first when she killed another woman, the second after she killed her abusive son. It takes Robinson years to admit her alcoholism and her responsibility for her sons depraved, short life. Its to Rierdens credit that the reader understands why the other inmates revere the woman they call Miss D; her slow emergence from the prison system takes on heroic proportions. Other inmates are of more questionable character; unlike Delia, Bonnie Foreshaw vehemently denies she murdered a pregnant woman and blames race bias for a conviction in what she insists was an accidental shooting. Rierden reports without comment Bonnie's exculpatory account along with those of several eyewitnesses, who tell a far different story. Niantic is, as Rierden reports, the object of much interest, both as a model for the old-style system of reforming prisoners and as a relic in a new era showing much less interest in rehabilitation. Bucking that trend, largely through the efforts of longtime guards and a thoughtful warden, a drug rehabilitation center has been established, and the prison itself has been restored to much of its old glory as a farm for damaged people. An intelligent, absorbing look at prison reform and, more particularly, at the issue of women in prison.
Pub Date: June 1, 1997
ISBN: 1-55849-079-5
Page Count: 224
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 1997
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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