A solid yet playful tour of the huckster’s world.
Schroeder unfurls eight stellar scams—perpetrated from the Philippines to your Phillips radio—that shook the gullible for all they were worth.
As long as you are not on the receiving end, scams are enormously entertaining. Here readers learn of the Tasaday deception, the 18th-century Shakespeare fraud (with its sad father-son conflict), Orson Welles’ radio hysteria (said Orson: “Every true artist must, in his own way, be a magician, a charlatan”), along with plenty of plain old swindles serving as cautionary tales that we may never learn from, as greed, need and desperation always have the upper hand. What makes Schroeder’s presentation of these bamboozlements so pleasurable—other than the gotcha! factor—is the clarity of his narrative, the unhurried exploration of the dupe and the fact that the only things that get hurt here are egos and pocketbooks. He has also chosen the fleecings for their color—of the P.T. Barnum sort—rather than the darker work of Enron or no-bid military contracts. Simard’s accompanying artwork lays out in grayscale the raw bones of the flimflams, driving home the salient moments when the ruse worked and then when things went south.
A solid yet playful tour of the huckster’s world. (Nonfiction. 9-13)Pub Date: Dec. 1, 2011
ISBN: 978-1-55451-351-2
Page Count: 158
Publisher: Annick Press
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
An introduction to ancient Egypt and the Pharaohs buried in the Valley of the Kings. The authors begin with how archaeologist Howard Carter found the tomb of King Tut, then move back 3,000 years to the time of Thutmosis I, who built the first tomb in the Valley of the Kings. Finally they describe the building of the tomb of a later Pharaoh, Ramses II. The backward-forward narration is not always easy to follow, and the authors attribute emotions to the Pharaohs without citation. For example, “Thutmosis III was furious [with Hatshepsut]. He was especially annoyed that she planned to be buried in KV 20, the tomb of her father.” Since both these people lived 3,500 years ago, speculation on who was furious or annoyed should be used with extreme caution. And the tangled intrigue of Egyptian royalty is not easily sorted out in so brief a work. Throughout, though, there are spectacular photographs of ancient Egyptian artifacts, monuments, tomb paintings, jewels, and death masks that will appeal to young viewers. The photographs of the exposed mummies of Ramses II, King Tut, and Seti I are compelling. More useful for the hauntingly beautiful photos than the text. (brief bibliography, index) (Nonfiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7922-7223-4
Page Count: 64
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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