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SEAN CONNERY

FROM 007 TO HOLLYWOOD ICON

A life of Connery that's given its richness as much by the whimsically outspoken star himself as by Yule. Yule combines the detail of his David Puttnam bio (Fast Fade, 1988) with the focus on acting that enlivened his Al Pacino bio (Life on the Wire, 1991) and makes a satisfying study of Connery's lust to give his talent its head. A Scot often mistaken for an Irishman, Tommy Connery (Sean is a stage name) was raised in Edinburgh and early came into the family ulcer, which he has passed on to his son Jason, a rising young actor. The ulcer got Connery out of the Navy at 19. An early interest in body-building boosted his stage career and general charisma, though he was always magnetic. Small film roles as well as stage classics led to Dr. No and James Bond, who was a mixed blessing for Connery, bringing him wealth but also the burden of typecasting, against which he fought endlessly. This fight led to film roles that stretched him as a character actor but brought on a long list of flops. It took Connery nearly 30 years to find a blockbuster in the $100-million range (Indiana Jones and the Last Crusade) that wasn't a Bond film, although, ironically, Indiana Jones himself is a Bond clone. The Connery whom Yule draws is a charming chauvinist pig who has not led a monastic life, waves off women like flies, greatly prefers golf to gals. Much time and money have been given to Scottish charities and youth. He spends big but grips his pennies, has a vital interest in not being screwed. Everyone speaks of Connery as a joy to work with, a truly focused actor and the ultimate professional whose presence brings order—though incompetence makes him gripe loudly. Much, much better than average, and made so by Connery's wit. (Photos—not seen.)

Pub Date: Aug. 27, 1992

ISBN: 1-55611-277-7

Page Count: 320

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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