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BUNS GONE BAD

From the Fluffle Bunnies series , Vol. 1

Absurd animal antics in a familiarly funny setting.

Rapscallion rabbit siblings take over their neighborhood park.

In Canada, a group of baby bunnies is known as a fluffle. The phenomenal fluffle in this graphic novel consists of a trio—Biggie, Boingy, and Flop—whose mother hops off as soon as they’re weaned. She heads to Brazil to train as a bunny jujitsu master, and the young rabbits must forge their own way in the world, or at the very least within the bounds of their local park. They have many rivals to contend with, including cheeky chipmunks, sharp-toothed dogs, and a resourceful crew of raccoons. Adorable though they might be, the threesome decide that they’ll have to toughen up to get ahead in life, and so their “reign of endearing evil begins.” In a bid to usurp park power from the raccoons, the bunnies hatch a devious—and hilarious—plan. A folksy, fedora-clad moth who witnessed the fluffle’s rise to power narrates with aplomb. The rabbits’ wacky wiles and high-energy humor are reminiscent of Aaron Blabey’s snarky, silly Bad Guys series, but the real-world environs of city park life (overflowing trash cans and dingy, shadowy restrooms) offer a uniquely delightful locale in which to encounter these affable antiheroes. The characters’ energetic, simplified facial expressions and fast-paced physical comedy amplify the wacky narrative to a charming degree.

Absurd animal antics in a familiarly funny setting. (Graphic fiction. 6-9)

Pub Date: May 21, 2024

ISBN: 9781774881262

Page Count: 176

Publisher: Tundra Books

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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DOG MAN

From the Dog Man series , Vol. 1

What a wag.

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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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