Transporting.
A novel in verse about the months before a city girl starts middle school.
It’s the summer before Phoebe, 11, enters Southside Middle. Everyone says they’ll “eat her alive” when she gets there. On Phee’s street there’s an alley where the neighborhood kids hang out—and a house with a “killer dog” named Bull. She thinks some of the kids are too babyish, while others have in turn outgrown her. With palpable angst, Phee wrestles hard with wanting to break free of the alley and see more of the world, yet she fears the unknown. When cool and prickly Mercy arrives to visit her dad, Phee’s eager to befriend her, excited about the chance to try out her skateboard, and she turns away from lifelong buddy Henny. The poetry skips across the page: Phee is a deeply relatable wordsmith, thinking in rhythms that capture the patterns of hopscotch and skipping rope, and expressing raw, conflicting emotions. Words flow across the page, punctuated by repetition, movement, empty space, and run-on words. The poems transform the alley into a character, showing both its smallness and the new experiences it offers as Phee journals about it in her treetop hideaway. The voices of the characters, brief though they may be, jump off the page with clarity as Ylvisaker captures the alchemy of ordinary youthful times filled with friends and fears. The characters have minimal physical descriptions; the cover art depicts Phee and Mercy as white.
Transporting. (Verse fiction. 8-12)Pub Date: May 6, 2024
ISBN: 9781958325124
Page Count: 264
Publisher: Marble Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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