A marvelously down-and-dirty chronicle of a presidential campaign that will make your eyes water, and some more famous eyes burn, in recognition. His rivals for the Democratic nomination—a decorated Vietnam vet, a dinosaur populist, a ``neo-Martian'' egghead, the on-again/off-again governor of New York—may have stronger credentials of one kind or another, but none of them has put together the package Gov. Jack Stanton has: a mastery of the issues, an uncanny ability to connect with the people he meets, and a grimly talented wife who shares his Energizer-bunny determination to keep on going. So Henry Burton, the rather unconvincingly half-black narrator, signs on as Stanton's deputy campaign manager and heads with him to New Hampshire. Like politics itself, the ensuing account makes no pretense of beguiling the reader, instead dumping out fictionalized names and situations like toxic waste. Stanton's ship of fools will be threatened in rapid succession by his youthful indiscretions at the 1968 Chicago convention; his tabloidal dalliance with his wife's hairdresser; discreet rumors of paternity from still another quarter; and a disgruntled driver alleging racial slurs he overheard (you won't believe what Stanton has to promise to shut him up). The picture of electoral politics that emerges has nothing to do with substantive issues—woe to the candidate who goes on record with any specific policy position—and everything to do with imagery, tactical advantages, not blinking first, and triage. This familiar picture is given new urgency by the momentum Stanton's campaign develops, even when it's being driven by the reflexive reactions of his clueless campaign manager or his psychopathically devoted chief of staff—or, more often, by no one, no one at all. Only the nobility that several key characters improbably evince in the closing pages breaks the illusion of authenticity. Mystery insider's view or not, this is a delicious gift for your friends who still believe that politics and politicians have the answers.
Pub Date: Feb. 1, 1996
ISBN: 0-679-44859-4
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
