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GONE BAMBOO

For his second course, Bourdain, novelist (Bone in the Throat, 1995) and chef (at Sullivan's, in Manhattan), dishes up a sorry, soggy mess of a stew in which a good-hearted hit man finds himself on the spot with both mob chieftains and law-enforcement agencies. Hired by an ambitious cross-dressing mafioso named Pazz Calabrese to eliminate his two immediate superiors, Henry Denard dispatches one but only wounds the other, D'Andrea (Donnie Wicks) Balistierian aging capo di tutti capi in New York. After returning to Saint Martin, the idyllic West Indian haven he calls home, the hired gun (a decorated Vietnam vet who went on to work for the CIA) learns his wounded target has turned informant and will testify against former partners in crime. What's more, an accommodating interpretation of the Witness Protection Act allows Donnie Wicks (and a small army of US marshals) to take up residence on Saint Martin. Concerned that he and his hardcase wife Frances may have to find another place to live, Henry talks his way inside the former don's compound for a meet. Not to worry, the elderly outlaw has the nothing-personal aspect of gangdom's business down pat, and he soon takes a shine to the professional killer as well as to his lovely, lethal lady. In the meantime, the expatriate godfather's former underlings mount a deadly campaign to silence him. In the wake of a furious assault on his island home (which costs six feds and a like number of Dominican nationals their lives), Donnie Wicks (now under the protection of venal French officials) is reported dead. As a favor to the American authorities cheated of a show trial, Henry heads north to waste the kinky Calabrese and his top lieutenants with a light anti-tank weapon on a New Jersey construction site. At the close, he's drinking and living it up with Frances and Donnie Wicks at his Caribbean hideaway. In the parlance of cuisine: tripe. (Author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-679-44880-2

Page Count: 304

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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