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ON CALL

A DOCTOR’S JOURNEY IN PUBLIC SERVICE

Most readers will appreciate this evenhanded account, though probably not unforgiving Trump supporters.

The long-anticipated memoir.

Fauci served as director of the NIH’s National Institute of Allergy and Infectious Disease for 38 years. He was widely known and admired within his profession but not to the general public until the Covid-19 epidemic. A talented researcher, he did groundbreaking work on immune and infectious diseases at the NIH and then became NIAID director at age 43. Except for a rare nod toward his family, Fauci confines himself to his professional life, delivering an illuminating, expert account of our government’s encounters with infectious diseases over the past 50 years—stories that involve as much politics as science. Almost as soon as he took office in 1984, AIDS emerged as a worldwide catastrophe that dominates the book, later joined (but not superseded) by Covid-19. Along the way readers learn about battles against SARS, Ebola, Zika, malaria, tuberculosis, bioterrorism, and even influenza. Well before Covid-19, Fauci appeared in the media regularly, giving many the impression that he directed America’s public health policy. In fact, that’s the responsibility of the CDC in distant Atlanta (NIAID supports research), but Fauci was on hand in Washington, so reporters and officials regularly sought him out. President Trump assumed that Covid-19 would disappear after a few months. As it worsened and Fauci kept delivering bad news while others told the president what he wanted to hear, Trump and his staff began accusing Fauci of disloyalty and then incompetence. Quickly falling in line, congressional Republicans peppered Fauci with invective and investigations. The author describes several Trump aides as obnoxious; others were supportive; Trump himself gets off fairly lightly as often charming but bombastic and deeply ignorant. Fauci could not have led and expanded NIAID without the considerable political acumen he exercised under seven presidents, but he leaves no doubt that Trump tried him sorely.

Most readers will appreciate this evenhanded account, though probably not unforgiving Trump supporters.

Pub Date: June 18, 2024

ISBN: 9780593657478

Page Count: 496

Publisher: Viking

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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