Hard to believe this listless, modestly amusing tale won the Netherlands’ prestigious AKO Prize.
Dutch author Grunberg (Silent Extras, 2001, etc.) traces the rise and fall and rise of a literary writer whose sine waves of desperation are ultimately evened out by his unlikely authorship of a cookbook.
The novel takes the form of Robert Mehlman’s “unpublished autobiography,” presented by son Harpo. Seemingly intended as an explanation to his son of the writer’s bizarre behavior over the course of two decades, its main concerns are Mehlman’s love life and the creation of his cookbook. (Asides cover everything from his multiple affairs to book projects both realized and forgotten.) As the narrative begins, the author’s unstable marriage to a psychiatrist he calls the “Fairytale Princess” is disrupted by the arrival of the “Empty Vessel,” a woman who makes cappuccinos at the local coffeebar. Together, the Empty Vessel and Mehlman spend a directionless few days in Atlantic City, gambling away the last of his money even as his credit cards are overdrawn. The affair meanders here and there, with no particular purpose apparent other than to give Mehlman a chance to toss off such continental-sounding epigrams as “hate is the sea into which longing flows down together.” Meanwhile, having agreed to write a “literary cookbook,” he places a newspaper ad looking for contributions. Polish-Jewish Cooking in 69 Recipes becomes an international sensation, earning Mehlman all the money he’ll ever need. The volume is hailed as a monument of reconciliation between Germans and Jews that will allow both to “keep the home fires burning after Auschwitz”— a mildly tasteless jape typical of the gauzy brand of humor peddled here. The text seems ably translated, if only because it’s difficult to imagine a rendering more apt to the original that might have restored such a desultory work to any kind of greatness.
Hard to believe this listless, modestly amusing tale won the Netherlands’ prestigious AKO Prize.Pub Date: July 1, 2004
ISBN: 1-59051-126-3
Page Count: 292
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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