An ambitious, intelligent work that, while aiming to get Britain's swinging '60s down pat, unfortunately scants the usual fictional elements, putting in their place a mordant and always perceptive historical critique. This third installment in Byatt's planned quartet (after The Virgin in the Garden, 1979; Still Life, 1985) is set in that small, cozy Brit world where everyone knows everyone else because they've all been to prep school or Oxbridge together. They're insular people, smug about their politics, their unbelief, and their intellectual acumen, which, paradoxically perhaps, makes them particularly vulnerable to change. In 1964, as the story begins, Frederica, married to Nigel and the mother of four-year-old Leo, wants to put her Cambridge English degree to use. But Nigel, a quick-tempered male chauvinist, won't hear of it, of course, so after he's roughed her up a couple of times, Frederica flees with Leo to London. There, old Cambridge pals find work for her, and she begins to make a life. Revolution, however, is in the air: Students test the limits, drugs are omnipresent, grammar is under assault, the environment is polluted, nuclear war threatens, and sexual freedom is a given—all of which is crystallized in a work of fiction, Babbletower: A Tale for the Children of Our Time, that Frederica reads for a publisher and recommends. Written by Jude, a homeless vagrant with a pedigree, the novel—chapters of which are excerpted here—graphically describes a dystopia where freedom has reached its ultimate and nihilistic limits. Babbletower, and Frederica's desire to work and raise her child as a divorced woman, define the times, and the lengthy court cases in which the book is banned and Frederica granted her divorce are both fully covered. Nothing is really resolved, though the publisher of Babbletower eventually wins on appeal and Frederica gets her freedom, since what matters is the Zeitgeist, not the characters. Clever, with moments of wit and insight, but a somewhat lumbering dance to the music of time. Not Byatt's best.
Pub Date: May 1, 1996
ISBN: 0-679-40513-5
Page Count: 544
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
IN THE NEWS
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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