Next book

ANDREW DREW AND DREW

Joyful imagination, plain and simple.

An unassuming boy, a single lead pencil and plenty of fresh white space make for a true descendent of Harold and the Purple Crayon, with its own flavor.

Andrew is a “doodle boy” with a standard pencil. This book’s thick, glossy pages are his expansive workspace: Andrew appears on the pages, drawing, and the pages are also the paper he’s drawing upon. Some pages are the same width as the cover, others narrower or wider, turning over or folding out to change a drawing’s meaning. Andrew doesn’t plan; he draws and sees where it takes him. “[B]efore he kn[ows] it,” an abstract line becomes a kite and then a rocket. If he draws stairs, they’re physical enough for him to sit on—but turn the flap, and they’re a dinosaur’s back. Andrew himself is rendered in color, while his carefully shaded desk and pencil sharpener are—quite wonderfully—the gray of his own pencil. “When night dr[aws] near,” Andrew slowly fills the space with dark pencil crosshatches until it’s something else entirely—perhaps the next day’s artwork or a nighttime dream. Any question of reality versus representation is the gentlest kind, utterly unobtrusive. Adults should keep an eye on the midbook 3-D easel featuring small, stapled-on papers vulnerable to eager hands, because those papers hold text as well as illustration.

Joyful imagination, plain and simple. (Picture book. 3-6)

Pub Date: Oct. 1, 2012

ISBN: 978-1-4197-0377-5

Page Count: 40

Publisher: Abrams Appleseed

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

Next book

HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

Next book

THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

Close Quickview