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UNDER ONE ROOF

LESSONS I LEARNED FROM A TOUGH OLD WOMAN IN A LITTLE OLD HOUSE

A tender tribute to Edith and her will to do things her way.

The true story of how two adversaries became good friends.

When Martin became project superintendent in charge of building a new shopping mall in Ballard, Wash., he had no idea how his life would be changed by the one woman who refused to sell her house to the developers. Even though she'd been offered $1 million for her place, Edith wouldn't move. However, she was in her 80s and in need of help, so, with some trepidation, Martin took on the role of caregiver. After all, "this was a feisty old woman who seemed to have every intention of hanging on for a long time, and making my life as difficult as possible in the process." At first, he did little things, like driving Edith to her hair appointments, then he began cooking for her; eventually, as her health steadily declined, Martin became her main means of support. While the mall went up around her, Edith's personal walls came down, and Martin caught glimpses of the myriad, almost improbable lives she had lived. Told with frankness and sincerity, Martin, with the assistance of former USA Today editor Lerman, skillfully blends his deep desire to aid Edith with his frustrations with this cantankerous woman, his need to spend time with his own children and wife, and his thoughts and feelings toward his ailing parents. With a bit of humor and the determination to do right by this stranger-turned–close friend, Martin was able to help Edith do as she wished—spend the last years of her life in her home, surrounded by a lifetime's accumulation of books, music and trinkets.

A tender tribute to Edith and her will to do things her way.

Pub Date: Oct. 15, 2013

ISBN: 978-1-250-00304-1

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Aug. 25, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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