Skip this, and buy another copy of Yo? Yes! (Picture book. 4-7)
Snake(skin) and onion(skin) form the illustrative leitmotifs in this over-intellectualized musing on skin color.
“The skin I’m in / is just a covering. If you want to know who I am / you have got to come inside / and open your heart way wide.” Raschka does his usual extraordinary job of illustrating highly abstract concepts: children of different colors—rendered in smudgy paints—look at, point at, and reach out to each other, finally clasping hands in a sort of graphic minuet. Colored boxes alternately become clothing, frames, and X-ray film that reveals the children’s inner dreams; they multiply until they form a quilt, the loosely fit-together patches alternating faces and simple, striking designs. hooks’s preachily earnest text, on the other hand, while admirably articulating a vision that states that “skin . . . is one small way to see me / but not real enough to be all / the me of me or the you of you,” is so removed from real children’s concrete understanding as to be almost meaningless.
Skip this, and buy another copy of Yo? Yes! (Picture book. 4-7)Pub Date: Sept. 1, 2004
ISBN: 0-7868-0825-X
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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