A vital, essential addition to the shelf of great books about New Orleans.
A vital, loving chronicle of the colorful life and frequently hard times of the New Orleans R&B singer and self-styled “Emperor of the Universe.”
To many, Ernie K-Doe (1936–2001) is a one-hit wonder: His evergreen oldie “Mother-in-Law” topped the pop and R&B charts in 1961. But to New Orleans journalist Sandmel (Zydeco!, 1999), the vocalist was much more, and this smart, funny and richly designed and illustrated book makes a rousing case for the musician as a quintessential Crescent City figure. Born Ernest Kador Jr. in the city’s Charity Hospital, K-Doe authored his hit single and other lively R&B tracks for local Minit Records, but a follow-up smash proved elusive. While he maintained a hometown profile as a hardworking performer in the James Brown/Joe Tex mold, K-Doe was best known for years as a DJ on New Orleans’ WWOZ. There, his lunatic manner, unique lexicon and stream-of-consciousness raps cemented his status as a NoLa institution. Megalomania, alcoholism and a propensity for professional bridge-burning left him virtually homeless by the late ’80s. However, he enjoyed a second act in the ’90s after he opened his famed Mother-in-Law Lounge with wife Antoinette, who restored him personally and professionally. The club, which often doubled as the K-Does’ living room, attracted a crowd of tourists, oddball locals, young musicians and journalists (including the New York Times’ Neil Strauss, who had a notorious set-to with the eccentric proprietors while on assignment in 2000). K-Doe’s saga didn’t end with his death: He maintained a bizarre afterlife at the Mother-in-Law and around town in the form of a life-sized sculpture created by local artist Jason Poirier. Though severely damaged by Hurricane Katrina, the lounge was restored and run by Antoinette until her death in 2009. Despite a multitude of personal faults, K-Doe emerges here as hilarious, complex and indomitable—a larger-than-life character altogether worthy of inclusion in the pantheon of his city’s oversized musical titans.
A vital, essential addition to the shelf of great books about New Orleans.Pub Date: April 11, 2012
ISBN: 978-0-917860-60-7
Page Count: 304
Publisher: The Historic New Orleans Collection
Review Posted Online: March 31, 2012
Kirkus Reviews Issue: April 15, 2012
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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