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ERNIE K-DOE

THE R&B EMPEROR OF NEW ORLEANS

A vital, essential addition to the shelf of great books about New Orleans.

A vital, loving chronicle of the colorful life and frequently hard times of the New Orleans R&B singer and self-styled “Emperor of the Universe.”

To many, Ernie K-Doe (1936–2001) is a one-hit wonder: His evergreen oldie “Mother-in-Law” topped the pop and R&B charts in 1961. But to New Orleans journalist Sandmel (Zydeco!, 1999), the vocalist was much more, and this smart, funny and richly designed and illustrated book makes a rousing case for the musician as a quintessential Crescent City figure. Born Ernest Kador Jr. in the city’s Charity Hospital, K-Doe authored his hit single and other lively R&B tracks for local Minit Records, but a follow-up smash proved elusive. While he maintained a hometown profile as a hardworking performer in the James Brown/Joe Tex mold, K-Doe was best known for years as a DJ on New Orleans’ WWOZ. There, his lunatic manner, unique lexicon and stream-of-consciousness raps cemented his status as a NoLa institution. Megalomania, alcoholism and a propensity for professional bridge-burning left him virtually homeless by the late ’80s. However, he enjoyed a second act in the ’90s after he opened his famed Mother-in-Law Lounge with wife Antoinette, who restored him personally and professionally. The club, which often doubled as the K-Does’ living room, attracted a crowd of tourists, oddball locals, young musicians and journalists (including the New York Times’ Neil Strauss, who had a notorious set-to with the eccentric proprietors while on assignment in 2000). K-Doe’s saga didn’t end with his death: He maintained a bizarre afterlife at the Mother-in-Law and around town in the form of a life-sized sculpture created by local artist Jason Poirier. Though severely damaged by Hurricane Katrina, the lounge was restored and run by Antoinette until her death in 2009. Despite a multitude of personal faults, K-Doe emerges here as hilarious, complex and indomitable—a larger-than-life character altogether worthy of inclusion in the pantheon of his city’s oversized musical titans.

A vital, essential addition to the shelf of great books about New Orleans.

Pub Date: April 11, 2012

ISBN: 978-0-917860-60-7

Page Count: 304

Publisher: The Historic New Orleans Collection

Review Posted Online: March 31, 2012

Kirkus Reviews Issue: April 15, 2012

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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