by Bernard Cooper ‧ RELEASE DATE: May 2, 1996
A riveting, masterfully crafted memoir by essayist and novelist Cooper (A Year of Rhymes, 1993, etc.) that should find a wide readership beyond the gay market. Really a sequence of autobiographical essays, the book mostly concerns how Cooper's experience of being gay has affected him throughout his life. The life in question is superficially ordinary: Cooper grew up middle-class and vaguely Jewish in Los Angeles in the '60s, the only child of a divorce lawyer and a housewife; he went to college and eventually began teaching literature. Although chronologically ordered, the chapters sometimes leap decades to draw thematic connections and reinforce emotional epiphanies. At the end of a chapter about his childhood entitled ``Imitation of Life,'' for instance, Cooper recalls strolling West Hollywood's exuberant gay strip one night in his 25th year at the moment that, unbeknownst to him, his mother died in bed. Capturing perfectly the simultaneous tragedy and thrill of the moment, he concludes with heartbreaking grace: ``The night was warm, impending, alive, as if longing itself were an aspect of the air, like humidity or wind.'' Cooper's tales of youth, particularly one about disposing of a cache of pornography, can be very funny as well as psychologically astute. When he covers common markers of the gay experience, from adolescent crushes and coming out to therapy and the gym, he avoids clichÇs entirely; several splendid passages, such as one about an affair with a stand-up comic who gradually spiraled downward into mental illness, read like tragicomic fiction. Great set pieces abound, as when he and his widower father find themselves equally incapable of open discussion about their romantic lives. And Cooper's account of how AIDS has entered his life is as honest and unsparing as any yet written. Recalling his impressions with what feels like uncanny accuracy, Cooper at once inhabits his memories and reshapes them with detachment. This is exhilarating writing. (Author tour)
Pub Date: May 2, 1996
ISBN: 0-395-74539-X
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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