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ON STARLIT SHORES

Stunning from beginning to end.

In this journey of love and grief, a young woman returns to the hometown she barely remembers.

After her grandmother passes away, Alex travels with her best friend, Grim, to Grandma’s cottage in the small British seaside town of Indigo Harbour. With his help, Alex plans to go through her grandmother’s things, but her grief and regrets are almost too much to bear: “I didn’t even visit. I ended our calls early.” Some of Grandma’s belongings bring up vague childhood memories of the town and a bedtime story about a falling star. During a chance encounter, Alex learns that her divorced grandmother was seeing a woman named Elizabeth. She’s dismayed that Grandma didn’t tell her about the relationship—and try as she might, she can’t find Elizabeth. After Alex follows a black cat, she has an encounter that shows her there’s more magic in the town than she recalls. As she searches for information, trying to fill in the gaps and locate Elizabeth, Alex navigates loving and missing Grandma and honoring her memory. Her emotional arc is poignant and presented in a way that readers will find extraordinarily relatable. Glendining’s remarkable illustrations render each character distinctive. Their mastery of light and shadow is particularly impressive, creating a luminous watercolor effect. Alex has dark brown skin and curly black hair, Grim has tan skin and wavy black hair, and most main characters are queer.

Stunning from beginning to end. (Graphic fantasy. 14-18)

Pub Date: Sept. 30, 2025

ISBN: 9781419765049

Page Count: 192

Publisher: Abrams Fanfare

Review Posted Online: July 19, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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