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NEITHER HERE NOR THERE

Name: NEITHER HERE NOR THERE
Author: Bill Bryson
ISBN: 0380713802

TRAVELS IN EUROPE

by Bill Bryson ‧ RELEASE DATE: Feb. 18, 1992

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Having groused his way across America in The Lost Continent (1989), Bryson (The Mother Tongue, 1990) now turns his attention to Europe. If it is any consolation to Americans, Bryson, an ex-midwesterner who has lived in England for the past 15 years, finds almost nothing to praise between the Arctic Circle and the Bosporus. Bryson's crankiness could have proved amusing—after all, Mark Twain's did in Innocents Abroad—but the humor here is meanspirited and juvenile (in Copenhagen, a hung-over Bryson notes that "I needed coffee the way Dan Quayle needs help with an I.Q. test"), with defecation, flatulence, and eructation far too often figuring into the comic repertoire. Nor do original insights abound as Bryson retraces the steps of a journey he took two decades before, traveling from Norway to Istanbul, stopping at many of Europe's capitals (Paris, Brussels, Stockholm, Rome, etc.) along the way. He offers such comments as: "Parisians are rude," "Swedes are heavy drinkers," and "the Swiss are dull and conventional." Consistency is not Bryson's strong suit either. While in Naples, for instance, he complains, "I found...mean, cavernous, semipaved alleyways with...washing hung like banners between balconies that never saw sunlight." Yet when he reaches modern and manicured Milan, he pines, "I wanted pandemonium and street life...washing hanging across the streets." Meanwhile, lines like "let's be frank, the Italians' technological contribution to humankind stopped with the pizza oven" are also no help. Smart-alecky and obvious, with the wit of Bryson's first two books curdled into waspishness.

Pub Date: Feb. 18, 1992

ISBN: 0380713802

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE BODY
by Bill Bryson

- BOOK REVIEW
THE ROAD TO LITTLE DRIBBLING
by Bill Bryson

- BOOK REVIEW
ONE SUMMER
by Bill Bryson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.