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CITIZEN

MY LIFE AFTER THE WHITE HOUSE

A bighearted look back by a former president who has not lost his fervor.

Beyond 1600 Pennsylvania Ave.

Bill Clinton has covered quite a few bases since leaving the presidency at age 54 in 2001. He recounts them in his latest memoir in ways that can be charming and sentimental (especially involving his daughter, Chelsea, and his fond relations with fellow ex-presidents), occasionally preachy (about the deficiencies of the national press or the devolution of American politics), and sometimes wonky (distilling data and financials of his philanthropic efforts). Ever loquacious, he chronicles his global missions to extend humanitarian relief and American goodwill, offering tutorials on the history and plight of other countries. He devotes a chapter to Haiti, a place “full of promise and tragedy,” revisiting the devastating 2010 earthquake that prompted him to leverage his clout and connections on behalf of a people he has revered ever since his first visit, on his 1975 honeymoon with Hillary Clinton. As for any insights into their relationship, most personal revelations are kept in soft focus; the sharper backstories involve his postpresidential diplomacy and the sorry state of domestic politics. The former president does run through his roles in his wife’s campaigns, and he expands on what he thinks kept “as gifted a leader as I’ve ever met” from the Oval Office. His short answer: “The political media, Jim Comey, and Vladimir Putin deserve most of the credit” for Donald Trump’s 2016 victory. If there is a common thread in the disparate stories of this appealing memoir, it is that Clinton, for all his pragmatism as 42nd president, came out of the rough-and-tumble of Washington as the idealist who was first drawn to public service.

A bighearted look back by a former president who has not lost his fervor.

Pub Date: Nov. 19, 2024

ISBN: 9780525521440

Page Count: 464

Publisher: Knopf

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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