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PEST CONTROL

A sweetly comic thriller that finally answers the age-old question: What if a sad-sack New York exterminator got his antennae crossed with the professionals who wipe out Homo sapiens? At his wit's (and checkbook's) end after walking off his job killing bugs with lethal cocktails, Bob Dillon schemes at his own unique approach to extermination: breeding predatory strains of insects who'll feast on termites and roaches without developing chemical-resistant new strains of pests or loading the planet with hazardous toxins. It's a plan with all the makings of an American success story, but it spins out of control when Bob's ad falls into the hands of a middleman who brokers assassinations and thinks Bob's sobriquet of ``the Exterminator'' is a veiled reference to his status as a hit man. Getting a faint whiff of the trouble in his future, Bob begs off the lucrative job he's offered. But when the victim is accidentally killed anyway, the middleman, assuming Bob's managed the job with unusual finesse, duly sends him his fee. So far, everything's as innocuous as the endless stream of double-entendres about extermination—except that (1) the UPS package with all that lovely money gets held up en route to Bob; (2) his wife and daughter, impatient with his uncompromisingly idealistic approach to pest control, walk out on him; and (3) the brother and murderer of a Bolivian druglord who wants to cover up his own crime screams that it was the work of the Exterminator and offers a $10 million bounty to whoever kills Bob—attracting all the top exterminators in the field. There's the subtle Chinese knife expert, the glamorous Frenchwoman, the parvenu Cowboy, the transvestite dwarf, and the melancholy, suicidal top man, whose unlikely friendship with his prospective target is the high point of this generally predictable tale. A first novel that's not sharply enough written to offer serious competition to Florida farceurs Hiaasen and Shames, but consistently sunny and good-humored. (Film rights to Warner Brothers)

Pub Date: March 1, 1997

ISBN: 0-380-97348-0

Page Count: 304

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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