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LAKE OF THE OZARKS

MY SURREAL SUMMERS IN A VANISHING AMERICA

Old-fashioned, wistful stories that will appeal to fans of Geist’s previous books.

The Emmy Award–winning correspondent of CBS Sunday Morning reminisces about the wonderful days of his youth.

During the 1960s, Geist (Way off the Road: Discovering the Peculiar Charms of Small Town America, 2007, etc.) spent his summers working at a resort—the Arrowhead Lodge—owned by his aunt and uncle. In the middle of nowhere, down a winding road, the lodge provided the author with a place to work and make friends, drink beer, and meet girls. In this memoir, Geist takes readers back to those bygone days, sharing his escapades of what life was like for a young man with few experiences under his belt. The author often uses folksy humor to contrast those times with today. “A gas station attendant was a guy who filled your gas tank, checked your oil, coolant and battery fluids, and tire pressure,” he writes. “But those old gas stations did not sell hats and T-shirts, sixty-two different candy bars, fifty-seven kinds of refrigerated beverages, including twenty brands of bottle water. There were no ‘brands’ of water, only God’s. It was free. I know. Sounds crazy.” Threaded throughout this lightweight narrative are amusing, harmless memories of working in the kitchen during rush hour, cleaning out the open-air septic system, and fraternizing with the girls who moved in and out of Geist’s orbit. His portrayals of his fellow co-workers and his family are well-rounded, showing the good and bad in each individual. Geist’s writing is consistently nostalgic as he shows how those carefree summers helped mold him into the man he became. The book is a quick, pleasant read that effectively reflects how his time at the lodge showed him that “life is more difficult and rewarding and fun when you manage to do things your way.”

Old-fashioned, wistful stories that will appeal to fans of Geist’s previous books.

Pub Date: May 7, 2019

ISBN: 978-1-5387-2980-9

Page Count: 208

Publisher: Grand Central Publishing

Review Posted Online: Feb. 13, 2019

Kirkus Reviews Issue: March 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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