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UPPITY

MY UNTOLD STORY ABOUT THE GAMES PEOPLE PLAY

A baseball memoir that pulls no punches as it settles scores and attempts to set the record straight.

Though the sport has produced plenty of stars who enjoy a higher profile than White, few have proven as accomplished in such diverse facets of the business of baseball. During his 13 years as a player, he won All-Star recognition and frequent Gold Gloves as a slick-fielding, power-hitting first baseman, though he was never the flamboyant type who would call attention to himself. Then he embarked on an 18-year career as a broadcaster, memorably providing a balance to the more unpredictable Phil Rizzuto as announcers for the New York Yankees. He capped his career by serving five years as president of the National League, during a period of expansion and controversies concerning the umpires and their union (as well as a steroid scandal that went unacknowledged then and receives scant attention in the book). Whatever his level of involvement, White approached baseball as a career through which he made his living rather than a sport he loved, an attitude that is likely to ruffle sentimentalists. “Baseball was our job,” he writes. “And for the vast majority of players, in my opinion, love of the game had nothing to do with it…I didn’t love baseball. Because I knew that baseball would never love me back.” Much of his antipathy has a racial tinge, as he describes the abuse he took from redneck fans during minor league days when he was one of the few black players on a team, through his battles with the white tycoons who exerted increasing control over the industry before he resigned as league president. Yet his account is otherwise color blind as it separates the heroes of White’s life (Willie Mays, Bing Devine, Johnny Keane and others in addition to Rizzuto) from the villains (primarily former Cardinals general manager Bob Howsam and deposed baseball commissioner Fay Vincent). Veteran journalist Dillow (co-author: Where the Money Is: True Tales from the Bank Robbery Capital of the World, 2003) does an admirable job shaping the narrative, though the edge and attitude are all White’s.

 

Pub Date: April 1, 2011

ISBN: 978-0-446-55525-8

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: March 2, 2011

Kirkus Reviews Issue: March 1, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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