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RED OR BLUE?

THIS BOOK IS 4 U!

Businessman and former Libertarian presidential candidate Jackson argues a polarized America needs a divorce from itself.

Like many Americans, Jackson believes the federal government is “broke and broken,” with little hope for improvement on the horizon. Yet, instead of griping about politics, Jackson proposes a radical solution to what he sees as irresolvable differences over how to best govern the country: a constitutional amendment to divide the United States into two sovereign nations. Far from a cry for secession, the author envisions a peaceful separation of “Red thinking” states from “Blue thinking” states along philosophical lines. Both independent countries, he argues, would be capable of fostering a high standard of living because their leaders would not be constantly thwarted by the opposing side. Jackson dismisses bipartisan compromise as “hopelessly unobtainable” because one side always tries to force their principles on the other. He also blames the “elite Fifteen”—the top officeholders in Washington D.C.—for contributing to the country’s polarization. The book is careful to distinguish “Red” and “Blue” from Republican and Democrat, and refrains from passing judgment on which side is better. Several earnest but less than persuasive chapters and appendices explain how both nations could be established fairly, covering issues such as Social Security, dividing federal assets and realignment of the military. Some ideas show a solid grasp of civics, like suggesting a Constitutional Convention to propose the amendment. Others are inconceivable, like “Blue Country” occupying the Northeast and West Coast, geographically separated by a vast swath of “Red Country.” The author deserves points for courage and creativity, but the book comes across as somewhat naive. Key assumptions lack credible sources, and Wikipedia is cited too often for the serious student of politics. While a sincere effort is made to address the domestic implications, scant attention is paid to the geopolitical and global financial market instability that could result from chopping the world’s superpower in half. Ultimately reads like an undergraduate “what-if” essay—passionately argued but highly improbable.

 

Pub Date: Sept. 20, 2011

ISBN: 978-0615531229

Page Count: 158

Publisher: Bob Jackson

Review Posted Online: Oct. 17, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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