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ZOMBIE 00

The whips-and-chains crowd will love it. For others: caveat emptor.

Images of the Marquis de Sade’s bedchamber and Andy Warhol’s Factory will undoubtedly assail readers of this defiantly outré third novel by Gooch, the biographer of Frank O’Hara (City Poet, 1993) and author of such in-your-face fiction as The Golden Age of Promiscuity (1996).

The narrator is a nameless youth from a small Pennsylvania town who finds an objective correlative for his compulsive self-abasement in a Scranton museum’s “sacred voodoo chamber” exhibit. Abused and exploited by schoolmates and others (to whom he is, simply, “Zombie”), he leaves his scandalized, sorrowful parents, and—in a rather blatant imitation of James Purdy’s famous first novel, Malcolm—moves on to New York City. Thereafter, the story becomes a series of searches for his true “master” and encounters with unconventional reality instructors and benefactors: a drug-addicted physician who insists he be addressed as “Sir Edward,” a muscle-bound TV talk-show impresario (“Control Freak”), the Son of God Himself (as worshipped by “the Jesus Men,” who hold a rally in Washington’s RFK Stadium), genuine-article “zombie masters” met during a Haitian visit, and, after Zombie’s return to Manhattan, miscellaneous denizens of the lurid “club Crypt,” where people from his past mysteriously appear. (Perhaps—though Gooch doesn’t spell this out—he’s seeing his life pass before him, just as he’s about to leave it.) The novel isn’t nearly as awful as it sounds: Gooch writes crisp, surprisingly evocative straightforward sentences, and has found a resonant, troubling metaphor for the kind of passivity and self-loathing capable of shading into the destructive recesses of sadomasochism. If you like Anne Tyler and Jan Karon, you may want to pass on Zombie 00. Still, this is, in its uniquely empathetic and perceptive way, really a rather successful exploration of a hapless life lived on the psychosexual razor’s edge.

The whips-and-chains crowd will love it. For others: caveat emptor.

Pub Date: Aug. 28, 2000

ISBN: 1-58567-043-X

Page Count: 192

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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