Well-paced excitement as the Ryans come through again.
Echoes of Tom Clancy’s The Hunt for Red October reverberate four decades after the late author’s famous debut.
In 1984, Dimitri Gorov plans to deliver details of the advanced Soviet submarine Red October to the Americans, but Marko Ramius has already defected and delivered the boat itself. Gorov dies and now, decades later, his son Konstantin captains the Belgorod, Russia’s most advanced sub. Said sub goes rogue along with its nuclear-tipped torpedoes that can penetrate American defenses and blow up some of our coastal cities, or “wipe the American Atlantic fleet off the map.” Driven by multiple grievances, Konstantin wants to do just that, but a painful illness may bring him down. Meanwhile, young Navy lieutenant Kathleen (Katie, please) Ryan plays one of several key roles in trying to stop World War III. She’s smart and appealing and tries hard to downplay the fact that she’s President Jack Ryan’s daughter—“Daddy’s little girl,” as a snarky officer says to her face. In one nail-biting scene a helicopter tries to transfer her from a ship to a submarine in the open ocean. As with every novel in the series, readers are treated to a ton of technical details and asides that slow the reading occasionally, but without which it would not be a Clancy yarn. And of course, there is the obligatory establishment of what fine all-around Americans the Ryans are. Plenty of well-crafted characters, Russian and American, make up the cast. War begins to brew as a Russian MiG is shot down and troubles threaten to escalate. At one point, Katie “felt like the entire world was barreling toward oblivion and she was the only one who could stop it.” But wait: Late in the game, Konstantin muses, “There is nothing the Americans can do to stop me.” Who is right? Hmm, that’s a tough one. In her proud father’s mind, Lieutenant Ryan becomes “Katie—my little girl turned naval officer overnight.”
Well-paced excitement as the Ryans come through again.Pub Date: May 21, 2024
ISBN: 9780593422878
Page Count: 560
Publisher: Putnam
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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